I think it is important that you find your own voice when it comes to coaching. Much like how you find your way as a parent. Look to people that have expertise in the area, and take what works for you, so that you can develop your own style. Make sure your players and their parents understand your style. All players should always want more floor time, but they shouldn’t have issues with your philosophical style of coaching. When you have found your style, your confidence, you will be able to motivate your players more easily. The aim is to then transfer this motivation and confidence to your players, so that they become self-motivated and self-confident.
Hopefully the following tips will help you in your journey.
Before we get started, you must realize that there is no one-size-fits-all solution. How you teach players depends on the age and yes sometimes the gender of your players. With younger groups you can’t expect them to be as focused. To call younger groups into circle I would use techniques like clapping the beat of the song carwash When speaking to younger groups you may want them to put their ball behind them on the floor so that it is not a distraction. Certainly you want to have clear well understood rules. Coach by consequence . Don’t be the type of coach that is always screaming and yelling to get things done. It always amazes me how difficult it is to find mentors that conduct themselves without all the theatrics of yelling. I don’t know what that behavior is, but I can tell you this. It is not coaching. When the opposing coach is acting in this manner, I’m know he is no longer coaching and probably not getting the results he wants. None of us are perfect so if you have a “coaching-episode” apologize. When my children were younger they had the fortune of having a teacher who managed to maintain a quiet orderly classroom, by having set specific code of conduct on the board. If a rule was broken she would not break from teaching, but walk over to the rules, and start a lumber-jack tally on the board beside the broken rule. A friend of mine who is a teacher said it’s amazing what you are allowed to get away with when you are in a gym, compared to the classroom. Personally I think it’s appalling.
Like parenting with experience comes knowledge. When you become proven and you have had some success, that success breeds success. You may not have to put as much energy into convincing players in what you do.
Treat your players as individuals and take interest in them outside of the confines of the gym. Those of you that have coached any age level that is looking at the next level, regardless of that next leap, will know that few make it. There has to be more to teaching this game then just the W. You must use the game as a way to teach players about life. Many would disagree with this statement, saying “hey that’s the parents job”. Yes, your right it is the parents job, but why can’t you contribute to that experience. It’s a very powerful position. Just like a teacher or a parent the power-base is in your favour. Don’t abuse it, use it. You wouldn’t treat all your children the same would you? Fairness is not when everyone is treated the same, but when everyone’s needs are met. Years ago, when I use to run a skills clinic early Saturday morning, I could walk by any player in a shooting drill and make that player shoot better with positive sound bites correcting small things. I’m convinced that it has more to do with the positive statements, more than the small correction. All but for one player. When I moved closer to the station he was working at, he would not shoot as well. I had to find a way to give him positive attention, without disturbing his flow.
I know this can sound like flowery talk and you can say, it doesn’t move the finishing line. If a player is going to make it, then he or she needs to buck up and get there within a certain time. It’s true, you can’t move the finishing line, but remember how many players actually move on. Don’t forsake all the other players experience to generate one that makes it. I’ve seen coaches that use the “crab-in-a-bucket” type of style. I have to wonder what the point of that is. Is it to see one player rise to the top, so that the coach can associate their name with that player’s name. It’s a team sport, and it seems like North America has forgotten that aspect with all the emphasis on the two-man-game. You wouldn’t raise your family that way, why would you use that approach with the family of athletes we call a team.
When you listen to hall of famer John Wooden could you think of a more fatherly image? Firm, but caring, he coached in a way, which allowed him to teach by using precise, informative, positive, corrective sound bites. He gave information, without commentary or blame. When you praise a child, it is best to be specific with your words. If a child brings home a painting, it’s better to say, “I like the way you used purple when you painted the sky, then to say “I like your painting”. Obviously saying something like "great job" or "nice shot" is better than nothing but being specific is more effective.
Be a teacher and a motivator! In being a teacher you should be more concerned with the progress of your student, and less about the wins and losses. This makes things a bit more difficult for coaches; because you need to be sure you have a system of measuring improvement. Set specific goals teach specific skills and make your players excited about learning those skills and reaching their goals. Use the S.M.A.R.T. method Much like parenting when coaching the response “because I said so” is not really all that effective. Explain the reason why. Many times coaches need to put their sales hat on in addition to teaching hat because you need to make sure players believe.
Coach Paul
Measure Your Success By Your Effort
Footwork Makes You Smarter
Labels
Saturday, October 30, 2010
Thursday, September 9, 2010
Wednesday, August 11, 2010
Footwork Makes You Smarter
Footwork Makes You Smarter
I like to say footwork makes you smarter. All things being equal in terms of athleticism, it’s footwork that will make you a more effective player a more efficient player. You need to let your feet get you to a spot where your hands can take the shot. You need to be able to create space from your defender. When creating space, we need to think three dimensionally. We don’t just want to create some space on the floor, but also in the air.
I like to introduce footwork drills into our practice warm up. It’s a good way to get repetitions and a good way to ingrain footwork that you want established in dribbling and shooting drills.
Each one of these footwork dance-steps, we do for a full length of the floor. It’s a good way to help get warmed up and work on your footwork at the same time.
You can do these footwork drills without a ball. I tell my players they can get repetitions in on the way to super, on the way to the washroom, on the way to their next class. Do you care more about getting better than looking different from the rest?
Teaching Points
1. Athletic Stance
• Seat down
• Straight back with your chest up
• Eyes down court
• Legs at a less than 90 degree angle and on the balls of your feet
2. Ball Handling
• Keep the ball below knee and outside of knee on
• On dribble moves keep the ball low, shoe lace high, and receive the ball low. Remain ball quick by keeping the ball low.
3. Explosive
• Foot first ball second. The ball needs to be out of your hand before your pivot foot lifts.
• Explosive steps. Your first step should be low and long.
• The ball should be passed out to yourself. You should lead your with the ball when you make your move.
4. Shot Fakes
• Jab steps should be short quick and violent. You only need to jab about six inches to the reaction of your defender.
• Seat should drop during shot fake.
• The ball should rise above the brow.
• Eyes should draw a bead on the rim.
• All three of these motions should happen simultaneously.
Kobe Dance Steps
Use one length of the floor baseline to baseline for each of the three footwork moves. Make sure you are low and athletic. Foot first ball second. Pass the ball low to your opposite hand, and receive the ball low.
Nash Dance Steps
Shot fake, 1 dribble right and 2-step into shot
Shot fake, 1 dribble left and 2-step into shot
Shot fake, 1 dribble right, step-out
Shot fake, 1 dribble left, step-out
Shot fake, 1 dribble right, step-hop
Shot fake, 1 dribble left, step-hop
I like to say footwork makes you smarter. All things being equal in terms of athleticism, it’s footwork that will make you a more effective player a more efficient player. You need to let your feet get you to a spot where your hands can take the shot. You need to be able to create space from your defender. When creating space, we need to think three dimensionally. We don’t just want to create some space on the floor, but also in the air.
I like to introduce footwork drills into our practice warm up. It’s a good way to get repetitions and a good way to ingrain footwork that you want established in dribbling and shooting drills.
Each one of these footwork dance-steps, we do for a full length of the floor. It’s a good way to help get warmed up and work on your footwork at the same time.
You can do these footwork drills without a ball. I tell my players they can get repetitions in on the way to super, on the way to the washroom, on the way to their next class. Do you care more about getting better than looking different from the rest?
Teaching Points
1. Athletic Stance
• Seat down
• Straight back with your chest up
• Eyes down court
• Legs at a less than 90 degree angle and on the balls of your feet
2. Ball Handling
• Keep the ball below knee and outside of knee on
• On dribble moves keep the ball low, shoe lace high, and receive the ball low. Remain ball quick by keeping the ball low.
3. Explosive
• Foot first ball second. The ball needs to be out of your hand before your pivot foot lifts.
• Explosive steps. Your first step should be low and long.
• The ball should be passed out to yourself. You should lead your with the ball when you make your move.
4. Shot Fakes
• Jab steps should be short quick and violent. You only need to jab about six inches to the reaction of your defender.
• Seat should drop during shot fake.
• The ball should rise above the brow.
• Eyes should draw a bead on the rim.
• All three of these motions should happen simultaneously.
Kobe Dance Steps
Use one length of the floor baseline to baseline for each of the three footwork moves. Make sure you are low and athletic. Foot first ball second. Pass the ball low to your opposite hand, and receive the ball low.
Nash Dance Steps
Shot fake, 1 dribble right and 2-step into shot
Shot fake, 1 dribble left and 2-step into shot
Shot fake, 1 dribble right, step-out
Shot fake, 1 dribble left, step-out
Shot fake, 1 dribble right, step-hop
Shot fake, 1 dribble left, step-hop
Tuesday, August 10, 2010
Ballers – What Can We Learn From Other Sports?
Football
There is an inherent toughness build into this sport. You can’t be effective playing this sport if you do not like contact. Although there is not near the same amount of contact in basketball, ask anyone that has played in the post or driven to the hoop, there is plenty of contact to be dealt with. The physical toughness of football translates into a mental toughness that is required to play both sports. Football players have long trained for speed, strength, agility and quickness. In the game of basketball you are falling behind these days if you are not following suite and working on your body. Not only will it make you a more explosive athlete, but it will help ward off injuries.
Golf
Is there a sport that requires more concentration? Not only is there a huge mental factor to the game of sports, but a golf swing and the technique required to perform properly certainly rivals the technique required to shoot a basketball effectively. Golfers are looking to improve by honing their golf swing, looking to perfect it. Basketball players should be looking for those types of nuances in their shooting mechanics. Basketball players should also actively work on their mental game, to become more focused and more confident.
Volleyball
The two biggest parts of volleyball that I have observed: 1) teammates really rely on each other to get the job done. Each player’s roles can be specific but there are certain skills that all must be able to do. If you can’t receive a serve, you will be centered out and it will have a bad outcome for your team. Good teams are skilled and trust each other, and they spend considerable time in their rituals between points cementing that culture. 2) Volleyball player’s ability to shuttle their focus between plays. Point ends, they group together, cheer or encourage, then right back to being focused on the next point. Basketball players could do well to learn to trust each other as teammates and to shuttle their focus. Clear their head on bad plays and get focused on the next task. We have all seen players celebrating too much on a good offensive play only to get burned at the other end, because their minds were not focused on the next task of getting a stop.
Body Building
Introspective, self-assessing and self motivated. You have to possess these qualities to be successful in this sport. Basketball players need to take stalk of where they are, where they want to go, and how to get there. Moreover they need to have the self motivation to do it on their own. Basketball players are built in the off-season. Teams are built during the season. It’s not uncommon depending on how your practices are run, to actually become less skilled during the season. If your team does not shoot much in practices or run ball-handling drills, then you can see those skills can diminish over the course of a season. Can you be honest with yourself, take a hard look at where you are, and be motivated to work constructively on getting better? That’s what body builders are constantly doing. Looking at their symmetry, their size and making a plan to change what needs to be changed.
Rowing
Communication is essential in rowing. So much so, that the sport has gone high tech with microphones and speakers built right into the cox box. The cox box gives specifics for stroke rate, stroke count and time. It is the responsibility of the coxswain to guide the crew in the perfect execution of a race plan. In basketball the single most effective thing you can teach your players how to execute team defensive principles is to get them to talk on defense. Communication between the 5 players on the floor can elevate the teams effectiveness.
There is an inherent toughness build into this sport. You can’t be effective playing this sport if you do not like contact. Although there is not near the same amount of contact in basketball, ask anyone that has played in the post or driven to the hoop, there is plenty of contact to be dealt with. The physical toughness of football translates into a mental toughness that is required to play both sports. Football players have long trained for speed, strength, agility and quickness. In the game of basketball you are falling behind these days if you are not following suite and working on your body. Not only will it make you a more explosive athlete, but it will help ward off injuries.
Golf
Is there a sport that requires more concentration? Not only is there a huge mental factor to the game of sports, but a golf swing and the technique required to perform properly certainly rivals the technique required to shoot a basketball effectively. Golfers are looking to improve by honing their golf swing, looking to perfect it. Basketball players should be looking for those types of nuances in their shooting mechanics. Basketball players should also actively work on their mental game, to become more focused and more confident.
Volleyball
The two biggest parts of volleyball that I have observed: 1) teammates really rely on each other to get the job done. Each player’s roles can be specific but there are certain skills that all must be able to do. If you can’t receive a serve, you will be centered out and it will have a bad outcome for your team. Good teams are skilled and trust each other, and they spend considerable time in their rituals between points cementing that culture. 2) Volleyball player’s ability to shuttle their focus between plays. Point ends, they group together, cheer or encourage, then right back to being focused on the next point. Basketball players could do well to learn to trust each other as teammates and to shuttle their focus. Clear their head on bad plays and get focused on the next task. We have all seen players celebrating too much on a good offensive play only to get burned at the other end, because their minds were not focused on the next task of getting a stop.
Body Building
Introspective, self-assessing and self motivated. You have to possess these qualities to be successful in this sport. Basketball players need to take stalk of where they are, where they want to go, and how to get there. Moreover they need to have the self motivation to do it on their own. Basketball players are built in the off-season. Teams are built during the season. It’s not uncommon depending on how your practices are run, to actually become less skilled during the season. If your team does not shoot much in practices or run ball-handling drills, then you can see those skills can diminish over the course of a season. Can you be honest with yourself, take a hard look at where you are, and be motivated to work constructively on getting better? That’s what body builders are constantly doing. Looking at their symmetry, their size and making a plan to change what needs to be changed.
Rowing
Communication is essential in rowing. So much so, that the sport has gone high tech with microphones and speakers built right into the cox box. The cox box gives specifics for stroke rate, stroke count and time. It is the responsibility of the coxswain to guide the crew in the perfect execution of a race plan. In basketball the single most effective thing you can teach your players how to execute team defensive principles is to get them to talk on defense. Communication between the 5 players on the floor can elevate the teams effectiveness.
Tuesday, July 27, 2010
Would you prevent your players from breathing?
Would you prevent your players from breathing? Then why use hydration as a reward or punishment for your players. This blog will not cover the pros and cons of water versus sports specific drinks. It will not cover how much you should drink, or pre, mid and post hydration techniques. I’ll leave that for another blog. It’s more about the mind set of coaches controlling their players’ health by denying them a drink of water. Water accounts for around 70% of your body weight, the loss of even a tiny fraction of this water can significantly reduce your performance, which is why maintaining good hydration is vital for all serious athletes.
I’m old, old enough to remember that in order to get a drink of water during school I would have to raise my hand and ask for permission. Today it is common for students to have a bottle of water on their desk. Which method is more humane and less disruptive? Do you really want that much control? Do you really want to answer the question “can I get a drink of water”? I have three children. Those parents with multiple children know if you have to explain something once, surely you will have to do it for as many children you have. The same holds true if you are the type of coach that needs to grant permission for a drink of water. Don’t you want your players to learn how to manage that, as long as it doesn’t affect or delay your practice?
Need ideas on how to get his done? Well there are probably many ways, but here is one suggestion. In between each drill, I have my players shoot two Free Throws and record their makes and misses. They can also get a sip during this time. They can also take additional Free Throws if they want, as long as they don’t disrupt or delay the practice. Boom! Your players are managing their own water intake, they are recording their own scores, and they are time managing so they can smoothly get into the next drill. As a coach you have the extra bonus of getting game-like Free Throws into your practice. Shooting two Free Throws when your players are tired from a drill is just like a stop in play where you have to shoot two Free Throws in a game.
I’m old, old enough to remember that in order to get a drink of water during school I would have to raise my hand and ask for permission. Today it is common for students to have a bottle of water on their desk. Which method is more humane and less disruptive? Do you really want that much control? Do you really want to answer the question “can I get a drink of water”? I have three children. Those parents with multiple children know if you have to explain something once, surely you will have to do it for as many children you have. The same holds true if you are the type of coach that needs to grant permission for a drink of water. Don’t you want your players to learn how to manage that, as long as it doesn’t affect or delay your practice?
Need ideas on how to get his done? Well there are probably many ways, but here is one suggestion. In between each drill, I have my players shoot two Free Throws and record their makes and misses. They can also get a sip during this time. They can also take additional Free Throws if they want, as long as they don’t disrupt or delay the practice. Boom! Your players are managing their own water intake, they are recording their own scores, and they are time managing so they can smoothly get into the next drill. As a coach you have the extra bonus of getting game-like Free Throws into your practice. Shooting two Free Throws when your players are tired from a drill is just like a stop in play where you have to shoot two Free Throws in a game.
Mirror Work
Basketball players would do well to learn from boxers and dancers. Both boxers and dancers use mirror work to improve their techniques, footwork, coordination and alignment.
Working in front of a mirror to improve your shooting technique can be a very powerful tool. You should be able to observe your shot from the front and both sides. If you had to mirrors facing each other you could also look at your alignment from the back.
If the mirrors are long enough you can even focus on your footwork, making sure you are shoulder width apart, that you are powering up through both feet etc.
You don’t need to go to a facility that has full length mirrors. You can check out your shooting mechanics in your bathroom with or without a ball. When I was young and working on my game outdoors at the local school, I would practice my form looking at my reflection in the school window. I would also work on my ball-handling doing the same, looking in the window at my reflection. Great way to keep your head up.
Hey if you have a video camera and you have someone willing to shoot you will you work out from front, back and both sides, fantastic. Sometimes you have to use the tools that are all around you.
Do yourself a favour and incorporate mirror work into your daily routine.
Working in front of a mirror to improve your shooting technique can be a very powerful tool. You should be able to observe your shot from the front and both sides. If you had to mirrors facing each other you could also look at your alignment from the back.
If the mirrors are long enough you can even focus on your footwork, making sure you are shoulder width apart, that you are powering up through both feet etc.
You don’t need to go to a facility that has full length mirrors. You can check out your shooting mechanics in your bathroom with or without a ball. When I was young and working on my game outdoors at the local school, I would practice my form looking at my reflection in the school window. I would also work on my ball-handling doing the same, looking in the window at my reflection. Great way to keep your head up.
Hey if you have a video camera and you have someone willing to shoot you will you work out from front, back and both sides, fantastic. Sometimes you have to use the tools that are all around you.
Do yourself a favour and incorporate mirror work into your daily routine.
Monday, July 19, 2010
There Is a Reason There Is a Nail At The FT Line - Part 4 of 4
11. Finish and Follow Through: On your shooting arm you elbow should be locked out.Your elbow should be higher than your brow on the release.Your guide hand should be above your brow, with fingers pointed at the ceiling or slightly forward but still spread.You should hold your finish till the ball goes in or hits the rim.
If you are not locking out your elbow and you are not holding your finish, you will not have a consistent shot. Locking out your elbow is a consistent end point. You know it’s the same each time.Your elbow should be above your brow to get the proper lift on the ball. Discourage younger players from shooting 3’s. Teach fundamentals of getting to the rack and the mid-range game. I see kids that are younger with good accuracy but I know they will have to change their mechanics as they grow. To gain distance they are chucking the ball with their elbows below their brow, instead of using the upward force of their legs.

If your Guide Hand turns in you will be effecting the rotation of the ball. The ball should be shot out of teh Guide Hand. It's a one hand shot.
Example Of Thumbing The Shot With Guide Hand

12. Determining Dominant Eye: The path of the ball should move through your shot pocket come close to, but not obstructing your dominant eye. You can determine your dominant eye by the following method.
a) Extend your arms in front of you with your palms facing away. Bring your hands together, forming a small hole by crossing the thumbs and fore fingers.
b) Choose a small object about 15-20 feet away from you. With both eyes open, focus on the object as you look through the small hole.
c) Close one eye and then the other. When you close one eye, the object will be stationary. When you close the other eye, the object should disappear from the hole or jump to one side.
d)If the object does not move when you cover one eye, then that eye is dominant. The eye that sees the object and does not move is the dominant.
It is possible to have a dominant eye opposite to your dominant hand. In fact two of my children are built this way. This means when shooting the ball with their dominant hand the ball can move through their shot pocket closer to the middle of their face. Remember you want to bring the ball close to the dominant eye, but not obstructing it.

13. Eye Contact: As mention in “what are we trying to do” You need to train your eyes on the back of the rim. To read about the math behind a perfect shot click here. A perfect shot is one that drops through, hits the floor, and slowly bounces back to you. Don’t watch the flight of the ball. Keep your eyes on your target.
14. Simple Routine: I tell my players that I don’t care what they do, as long as it’s 1 dribble, 2 dribbles or 3 dribbles. I am a 3 dribble guy. I also tell them I don’t care what routine is, as long as they get a chance to make eye contact for the same amount of time it takes to do their routine. Ok, then with FIBA rules and 5 seconds to shoot the ball. Your routine should be efficient and consistent. You want to kiss your biceps or your wrist or spin it around your waist for each member of your family, that’s fine. If you shoot greater than 90%. Once you are doing that, you have earned the right. Having a routine at the free throw line will ease the tension.
15. Mental Aspect: Once the player has proper shooting mechanics, mental mistakes are the main reason why a player misses free throws. The Free Throw is a unique event in basketball, and therefore, a unique skill. It is the only moment when the action stops, but play continues.
The action stops and waits for the shooter who has, depending on the rules 10 or 5 seconds to concentrate, focus, think and shoot. Since you are shooting the same shot from the same spot, with no defensive pressure, the target if fixed, it is the mental aspect that is responsible for most misses.
If a players begins to think about the importance of the shot or the consequences of a miss they will feel pressure. When players feel pressure, they get tense. Tense muscles fail to perform smoothly and shots are missed. Players need to allow their bodies to do what it has done countless times in practice and games; make the shot! Michael Jordan said: "I never looked at the consequences of missing a big shot. Why? Because when you think about the consequences, you always think of a negative result."
The mind cannot focus two things at once. You can not have internal negative thoughts and focus on making your shot. One will replace the other. The focus must be on the target, not on inner doubts, to shoot optimally.
Players should approach the free throw with a positive mindset. For players that become expert in visualization, a good approach is to close one's eyes and visualize a perfect free throw.
Their routine can include a deep breath and a strong exhale. This change in deep breathing can help center and relax the player.
Many players do well with having a mantra or anchor word. For one of my players I had him breathe in deeply through his nose, then exhale through his moth and say the word quotient on the breath out. Certain words can evoke calm. For me, when I played;
a) Deep breath in, with exhale thought the mouth.
b) Internal voice “get in”.
c) Bounce ball three times focusing on the same spot on the floor with each bounce.
d) Focus on the rim, and let my body take over.
If you are not locking out your elbow and you are not holding your finish, you will not have a consistent shot. Locking out your elbow is a consistent end point. You know it’s the same each time.Your elbow should be above your brow to get the proper lift on the ball. Discourage younger players from shooting 3’s. Teach fundamentals of getting to the rack and the mid-range game. I see kids that are younger with good accuracy but I know they will have to change their mechanics as they grow. To gain distance they are chucking the ball with their elbows below their brow, instead of using the upward force of their legs.

If your Guide Hand turns in you will be effecting the rotation of the ball. The ball should be shot out of teh Guide Hand. It's a one hand shot.
Example Of Thumbing The Shot With Guide Hand
12. Determining Dominant Eye: The path of the ball should move through your shot pocket come close to, but not obstructing your dominant eye. You can determine your dominant eye by the following method.
a) Extend your arms in front of you with your palms facing away. Bring your hands together, forming a small hole by crossing the thumbs and fore fingers.
b) Choose a small object about 15-20 feet away from you. With both eyes open, focus on the object as you look through the small hole.
c) Close one eye and then the other. When you close one eye, the object will be stationary. When you close the other eye, the object should disappear from the hole or jump to one side.
d)If the object does not move when you cover one eye, then that eye is dominant. The eye that sees the object and does not move is the dominant.
It is possible to have a dominant eye opposite to your dominant hand. In fact two of my children are built this way. This means when shooting the ball with their dominant hand the ball can move through their shot pocket closer to the middle of their face. Remember you want to bring the ball close to the dominant eye, but not obstructing it.
13. Eye Contact: As mention in “what are we trying to do” You need to train your eyes on the back of the rim. To read about the math behind a perfect shot click here. A perfect shot is one that drops through, hits the floor, and slowly bounces back to you. Don’t watch the flight of the ball. Keep your eyes on your target.
14. Simple Routine: I tell my players that I don’t care what they do, as long as it’s 1 dribble, 2 dribbles or 3 dribbles. I am a 3 dribble guy. I also tell them I don’t care what routine is, as long as they get a chance to make eye contact for the same amount of time it takes to do their routine. Ok, then with FIBA rules and 5 seconds to shoot the ball. Your routine should be efficient and consistent. You want to kiss your biceps or your wrist or spin it around your waist for each member of your family, that’s fine. If you shoot greater than 90%. Once you are doing that, you have earned the right. Having a routine at the free throw line will ease the tension.
15. Mental Aspect: Once the player has proper shooting mechanics, mental mistakes are the main reason why a player misses free throws. The Free Throw is a unique event in basketball, and therefore, a unique skill. It is the only moment when the action stops, but play continues.
The action stops and waits for the shooter who has, depending on the rules 10 or 5 seconds to concentrate, focus, think and shoot. Since you are shooting the same shot from the same spot, with no defensive pressure, the target if fixed, it is the mental aspect that is responsible for most misses.
If a players begins to think about the importance of the shot or the consequences of a miss they will feel pressure. When players feel pressure, they get tense. Tense muscles fail to perform smoothly and shots are missed. Players need to allow their bodies to do what it has done countless times in practice and games; make the shot! Michael Jordan said: "I never looked at the consequences of missing a big shot. Why? Because when you think about the consequences, you always think of a negative result."
The mind cannot focus two things at once. You can not have internal negative thoughts and focus on making your shot. One will replace the other. The focus must be on the target, not on inner doubts, to shoot optimally.
Players should approach the free throw with a positive mindset. For players that become expert in visualization, a good approach is to close one's eyes and visualize a perfect free throw.
Their routine can include a deep breath and a strong exhale. This change in deep breathing can help center and relax the player.
Many players do well with having a mantra or anchor word. For one of my players I had him breathe in deeply through his nose, then exhale through his moth and say the word quotient on the breath out. Certain words can evoke calm. For me, when I played;
a) Deep breath in, with exhale thought the mouth.
b) Internal voice “get in”.
c) Bounce ball three times focusing on the same spot on the floor with each bounce.
d) Focus on the rim, and let my body take over.
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